![]() But Montu is so utterly disinterested in his job that he spends the PT periods eating samosas under the tree, while the students catch up on their homework. ![]() ![]() Fate has installed him as the PT teacher at his childhood school. But it’s a refreshing change of pace for the filmmaker, who has an instinctive ability to tap into the humanity of his characters, regardless of genre.Ĭhhalaang tells the story of Montu (Rao), a wastrel of a man with a history of giving up on almost every task that he has ever undertaken. I’d imagine it was made around the same time as his recent series, the excellent Scam 1992. But in the quietly empowering Chhalaang, Ranjan, who is credited as co-writer, appears to be making amends for past sins.Īt first glance, it’s impossible to identify what drew Mehta to it. The man has earned, over a rather young career, the dubious distinction of being Bollywood’s resident sexist. You’ll understand my apprehension at seeing Luv Ranjan’s name plastered prominently in the promotional material, and, indeed, multiple times in the film itself.
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